Sunday, 8 May 2011

Project News: Slice

Slice artists walking the mile-long area between Liverpool St Station and Whitechapel Station, East London




Today TBC artists Beverley Bennett, Charley Peters, Laura Davidson and Paul Mendez met with the other London-based artists involved in the Slice project, a collaborative venture between the UK and Pakistan. The day involved field research into the area of London which will be the inspiration for the generation of new works for the project, and a web conference with the artists based in Lahore.


Catherine Wheel Alley, E2

An important part of the day's activities was the selection of the part of the 'slice' of east London that each commissioned artist or group will be working with. TBC will be based in Catherine Wheel Alley, a narrow passageway leading off Bishopsgate to the east. Over the next two months TBC will be undertaking research into the area before they start work in the space generating a body of site-specific and performative drawings.

The new work will be exhibited as part of an interactive installation in the autumn at the Ideas Store and Rich Mix in London, and the National College of Arts, Lahore. TBC will also produce two publications documenting the work that they make and the processes involved in its production - one copy to be housed at a cultural institution in London an one in an equivalent archive in Lahore.

Monday, 2 May 2011

12-Pages Online Project Space Call for Submissions - Issue 7

TBC Artists' Collective has now announced an open call for submissions to its June 12-Pages Online Project Space. Applicants are asked to make a new artwork in response to the theme of 'RADICALS'.

The Regency era spawned a group of revolutionary artists, writers and thinkers - including Thomas Paine, Mary Shelley, Mary Wollstonecraft, William Blake and Lord Byron - who became known as the Radicals. It was a period in British history in which the opinions voiced and artistic expression were at a level never before witnessed.

For this brief you are invited to consider modern-day radicals of the last twenty years. Work can be created by means of homage, reference, quote or interpretation. Submissions should incorporate elements of drawing process within finished outcomes, with an emphasis on your chosen radical. The notion of 'radical' can be as rigid or as loose as you feel comfortable with.




SUBMISSION GUIDELINES
  • Send all images as JPEGs, minimum 72-maximum 150dpi, min 400Kb, max 1Mb
  • Send all text documents as .doc, unless presented as a 'drawing' or 'image' in PDF format. Limit body text to 3,000 words
  • If the contributing artist has a clear idea as to how their word should be displayed, the desired layout should be submitted as a PDF. The editor's decision is final.

 OWNERSHIP
  • 12-Pages does not accept previously published material, and does not expect works commissioned for 12-Pages to be used elsewhere before publication of the issue concerned
  • The contributing artist retains full rights to their work. If the artist wishes to reprint or publish the work in future, TBC Artists' Collective asks that the relevent issue of 12-Pages be credited
  • Due to the high volume of submissions received, TBC Artists' Collective can only enter into correspondence with those whose works have been accepted, and cannot give critical feedback on submissions.
  • Editor-in-chief has final say over all editorial decisions.
All responses should be sent to Beverley.Bennett@tbcartistscollective.org by midnight on 31st May 2011 to be considered for inclusion in the 12-Pages Online Project Space. RADICALS will be published online in June 2011.

Project News: Slice

TBC Artists' Collective researching the Slice project.

Today TBC artists Beverley Bennett, Charley Peters, Laura Davidson and Paul Mendez were in east London undertaking research for their international art commission Slice. The group are working towards a body of new work of performative collaborative drawings based in architectural spaces within a mile-long section of London between Liverpool Street Station and Whitechapel Station. The work will be completed by the summer and exhibited in London and Lahore in Autumn 2011.

Tuesday, 12 April 2011

Commission News: SLICE

Slice, a Pakistani–UK collaboration, curated by Fatima Hussein and Scale

TBC Artists' Collective have today been commissioned to produce work for SLICE, a Pakistani–UK collaborative website and accompanying exhibitions in London and Lahore curated by Fatima Hussein, artists and co-director of Other Asias, and Scale, the collaborative arts project run by artists and theatremakers Simon Daw and Paul Burgess. SLICE aims to encourage dialogue between two diverse cultures by linking communities in both countries via the creation of a new artwork that enters into dialogue with the social and physical fabric of two iconic, complex and historically linked cities. Ten artists from London and ten from Lahore have been commissioned to take part in SLICE.

TBC members Beverley Bennett, Charley Peters, Laura Davidson and Paul Mendez will produce a collaborative work for the project, which will be exhibited in both cities online. The group members will also participate in two international web conferences.

The exhibition dates are as follows:
July 2011 Exhibition opens and SLICE website launch at Ideas Store, Whitechapel, London
September 2011 Exhibition opens at Rich Mix, London
September 2011 Exhibition opens at Zahoor ul Akhlaq Gallery, Lahore

TBC are very excited by the project and will post more news about their developing work on 12-Pages during the duration of their involvement with SLICE.

Saturday, 9 April 2011

12-Pages Issue 5: Pinpoint Introspective


Smartphone users: To access Pinpoint Introspective, please click here.

The works selected for this fifth issue of 12-Pages represent a search amongst the building blocks for a means of expression, from Elizabeth Oniri's visceral studies of the female bone structure affected by osteoporosis, to Laura Davidson's reading of a work by Scottish poet George Bruce, that locates a child's learning facility, not only in what is inherited, but in the unique recognition of a dialogue between the written and the spoken word.

In a world in which we are forced to process volumes of information far beyond the scope of any computer, by placing the minutiae of our being under a microscope, we are forced to constantly recontextualise anew, always creating new lines of creative investigation.

Contributors: Beverley Bennett, Toby Cisneros, Laura Davidson, Paul Mendez, Elizabeth Oniri, Charley Peters, Aman Sagoo and James Tuitt.

Thursday, 31 March 2011

12-Pages Online Project Space Call for Submissions - Issue 6

TBC ARTISTS' COLLECTIVE has announced an open call for submissions to the sixth issue of 12-Pages, under the theme of

MOVEMENT

Please forward all submissions to paul.mendez@tbcartistscollective.org by 30th April 2011.

MOVEMENT is the title of New Order's 1981 debut album. Released just eighteen months after the suicide of Ian Curtis, it represented the action of the remaining band members to regroup and evolve, capturing both the detritus of what had occurred and the seeds of what was forthcoming.

MOVEMENT implies performativity. Whether it incorporates the whole body, as in the case of dance, or just part(s) of it, artists have investigated the effects of movement in their works since natural dyes were first used on cave walls. The drawings of Henri Matisse, for example, uncover a lifetime's approach to his stated desire to 'reconceive in simplicity'. The direct and honest marks left by him are testament to his belief that drawing is the most intimate means of artistic activity - that it is 'like making an expressive gesture with the advantage of permanence.'

The need to make marks, record our experiences visually, or indulge our desires to leave a physical impression on the world is part of our make-up as human beings. The simple movement of mark-making instruments across a surface and the traces left behind is as old as humanity itself, and will endure forever as a record of what has been, and an anticipation of what is to come next.

MOVEMENT (Oxford Dictionary and Thesaurus) NOUN 1 an act or the process of moving. 2 a group of people who share the same aims or ideas: the women's movement. 3 a trend or development. 4 (movements) a person's activities during a particular period of time. 5 a main division of a musical work. 6 the moving parts of a mechanism, especially a clock or watch.

SYNONYMS 1 motion, move; gesture, sign, signal; action, activity. 2 transportation, shifting, conveyance, moving, transfer. 3 group, party, faction, wing, lobby, camp; division, sect, cult. 4 campaign, crusade, drive, push, initiative. 5 development, change, fluctuation, variation. 6 trend, tendency, drift, swing, shift; march. 7 progress, development, change, advance, improvement. 8 part, section, division; act.

WORD LINKS
relating to movement - kinetic
fear of movement - kinetophobia

Please respond as you wish to the Movement brief by 30th April 2011. 






 SUBMISSION GUIDELINES
  • Send all images as JPEGs, minimum 72-maximum 150dpi, min 400Kb, max 1Mb
  • Send all text documents as .doc, unless presented as a 'drawing' or 'image' in PDF format. Limit body text to 3,000 words
  • If the contributing artist has a clear idea as to how their word should be displayed, the desired layout should be submitted as a PDF. The editor's decision is final.
OWNERSHIP
  • 12-Pages does not accept previously published material, and does not expect works commissioned for 12-Pages to be used elsewhere before publication of the issue concerned
  • The contributing artist retains full rights to their work. If the artist wishes to reprint or publish the work in future, TBC Artists' Collective asks that the relevent issue of 12-Pages be credited
  • Due to the high volume of submissions received, TBC Artists' Collective can only enter into correspondence with those whose works have been accepted, and cannot give critical feedback on submissions.
  • Editor-in-chief has final say over all editorial decisions.

Monday, 7 March 2011